Friday, August 31, 2012
The United States of Wonderland
Sunday, August 26, 2012
Your Sunday Poem
This Morning, I Wanted Four Legs
Nothing on two legs weighs much,
or can.
an elephant, a donkey, even a cookstove --
those legs, a person could stand on.
Two legs pitch you forward.
Two legs tire.
They look for another two legs to be with,
to move one set forward to music
while letting the other move back.
They want to carve into a tree trunk:
2gether4ever.
Nothing on two legs can bark,
can whinney or chuff.
Tonight, though, everything's different.
Tonight I want wheels.
Friday, August 24, 2012
Mandala
The monks from the Drepung Loseling Monstaery of Dharmsala, India, arrived in SLOTown Tuesday to create a “sand painting” mandala for world peace. They set up in the SLO Art Museum for three days. Visitors were free to come and go and observe the process.
The tradition is an ancient one in many cultures. It’s called “Kultson Kyilkhor,” which means “Mandala of colored sand powder.” In Tibetan tradition, it is believed that “wherever a Sand Mandala is created, all sentient beings and the surrounding environment are blessed. Whoever views the mandala experiences profound peace and great joy. The colorfulness and harmony of the millions of sand particles in the mandala gives a powerful message that we can all live in peace if each of us works in creating a little more space for others in our hearts.”
Dressed in their traditional robes, the monks initially held an opening ceremony to concecrate the site, then started by drawing a precisely inscribed design in white ink on the black table. According do an information sheet given to visitors, in “ancient times, powdered precious and sem-precious gems were used instead of sand. Thus, lapis lazuli would be used for the blue color, and rubies for the red color and so forth. The artists begin at the center of the mandala and work outward.”
On a side table, the monks had laid out their little bowls of colored sand. The sand is loaded into a long metal tool, a “Chakpur,” that has serrated edges on the outside. That funnel-tool is carefully placed on the area to be worked and another metal rod is rapidly scraped over the serrations, causing vibrations that gently, precisely release the sands where the monk’s skilled hands want it to go.
The spiritual belief involved is that the mandalas have “outer, inner and secret meanings. On the outer level, they represent the world in its divine form; on the inner level, they represent a map by which the ordinary human mind is transformed into an enlightened mind; and on the secret level, they depict the primordially perfect balance of the subtle energies of the body and clear light dimensions of the mind. The creation of a sand paining is said to effect purification and healing on all three levels.”
After three days of incredibly intense work, the mandala was completed and carried outside for the final ceremony of changing and music. After which, a monk stepped forward and cut the circle, again and again and again. He then swept all the now mixed grains of sand into a pile to be distributed to any who wanted a small amount to take home to scatter around their home or garden.
The bulk of the sand was then carried down to San Luis Creek to be gently scattered on the water, the grains to be carried by the waters down to the sea to join all the other grains of sand. And for the witnesses, the teaching remains: The impermanence of all things. Everything that exists has a beginning, a middle and an end. In the mandala, like life itself, the grains of sand are brought together for a brief time to create something of beauty and meaning and then are returned to their source as part of the whole once again.
Thursday, August 23, 2012
Alice in GOP Land
Sunday, August 19, 2012
Your Sunday Poem
Gus Speaks
I was the last of my line,
farm-raised, chesty, and bold.
Not one of your skinny show-world
thirty-five pound Dalmatians.
I ran with the horses, my darlings.
Rivers they forded, wet
to the elbow, I swam. Their lot
was my lot, my lope matching
their stride mile for mile.
Their smell became my smell.
Joyous I ate their manure.
Its undigested oats
still sweet, kept me fit.
I slept with one broodmare.
I curled at her flank.
My head on that bay haunch
we lay, a study in snores,
ear flicks, and farts in her stall
until the hour of her foal.
She shunned me most cruelly.
Spring and fall, I erred over
and over. Skunks were my folly.
Then, I was nobody's lover.
I rolled in dung and sand.
My heart burst in the pond.
My body sank and then rose
like a birch log, a blaze
of white against spring green.
Now I lie under the grasses
they crop, my own swift horses
who start up and spook in the rain
without me, the warm summer rain.
Caesar August