A wonderful, new (to me) poet, Erin Belieu, from "Infanta," published by Copper Canyon Press, said publication supported by a grant from the National Endowment of the Arts, the Lannan Foundation, Andrew W. Mellon Foundation, the Lila Wallace-Reader's Digest Fund and the Washington State Arts Commission. And thank you to all of them for their support. Ms. Belieu is a wonderful poet, her collections are available in paperback, so head for your local bookstore and support her today -- buy one of her books.
The Spring Burials
Violets growing through the asphalt mean
the usual of spring's predicament:
how, busy getting born, still wings and green
will falter, twist, misgrow their management
and die. Violets grow on one curled leg,
a slender prop obliviously crushed,
and newborn birds are falling from their eggs,
still feathered wet and hidden in the brush
when you walk by. They die in spite of us;
in shoebox nests and jelly jars supplied
with the best intentions. Bring them in the house,
then fuss, arrange things, feed them. Occupy
yourself with worms and eyedroppers, sunlight
and potting earth. You'll bury them in days,
feel silly in your grief. And still you'll sit
a moment on the blacktop, study ways
to save an unimportant, pretty weed
or bird. You're still a fool -- a fool to bend
so sentimentally and fool in deed,
assuming you know better. Spring is kind.
Showing posts with label Erin Belieu. Show all posts
Showing posts with label Erin Belieu. Show all posts
Sunday, February 16, 2014
Sunday, October 20, 2013
Your Sunday Poem
This by a wonderful poet, Erin Belieu, from her 2006 collection, "Black Box."
"Last Trip to the Island"
You're mad that I can't love the ocean,
but I've come to this world landlocked
and some bodies feel permanently strange.
Like any foreign language, study it too late and
it never sticks. Anyway,
we're here aren't we? --
trudging up the sand, the water churning
its constant horny noise, an openmouthed heavy
breathing made more unnerving by
the presence of all these families, the toddlers
with their chapped bottoms, the fathers
in gigantic trunks spreading out their dopey
circus-colored gear.
How can anyone relax
near something so worked up all the time?
I know the ocean is glamorous,
but the hypnosis, the dilated pull of it, feels
impossible to resist. And what better reason to
resist? I'm most comfortable in
a field, a yellow-eared patch
of cereal, whose quiet rustling argues for
the underrated valor of discretion.
And above this, I admire a certain quality of
sky, like an older woman who wears her jewels with
an air of distance, that is, lightly,
with the right attitude. Unlike your ocean,
there's nothing sneaky about a field. I like their
ugly-girl frankness. I like that, sitting in the dirt,
I can hear what's coming between the stalks.
"Last Trip to the Island"
You're mad that I can't love the ocean,
but I've come to this world landlocked
and some bodies feel permanently strange.
Like any foreign language, study it too late and
it never sticks. Anyway,
we're here aren't we? --
trudging up the sand, the water churning
its constant horny noise, an openmouthed heavy
breathing made more unnerving by
the presence of all these families, the toddlers
with their chapped bottoms, the fathers
in gigantic trunks spreading out their dopey
circus-colored gear.
How can anyone relax
near something so worked up all the time?
I know the ocean is glamorous,
but the hypnosis, the dilated pull of it, feels
impossible to resist. And what better reason to
resist? I'm most comfortable in
a field, a yellow-eared patch
of cereal, whose quiet rustling argues for
the underrated valor of discretion.
And above this, I admire a certain quality of
sky, like an older woman who wears her jewels with
an air of distance, that is, lightly,
with the right attitude. Unlike your ocean,
there's nothing sneaky about a field. I like their
ugly-girl frankness. I like that, sitting in the dirt,
I can hear what's coming between the stalks.
Labels:
Black Box,
Erin Belieu
Sunday, September 29, 2013
Your Sunday Poem
This from the newest work, "Black Box," by Erin Belieu. It's out in very affordable paperback, published by Copper Canyon Press and you can pick up a copy at your nearest independent or dependent bookstore. Support a poet today; buy their books!
After Reading That the Milky Way
Is Devouring the Galaxy of Sagittarius
at the Dorthy B. Oven Park
I'm certain Mrs. Oven
meant to be nice
when she bequeathed that everything
in her garden should be nice
forever. This explains
one version of paradise:
the tiny gazebo with fluted
piecrust for a roof, the footbridge
spanning a tinkly stream
small enough to step over.
Even this snail drags
an irridescent skid mark
around the fountain's marble
lip. His shell is an enormous
earring like the ones my mother
wore to prom in 1957,
that large, that optimistic.
And because we're never alone
in paradise, my son is here.
He's stolen a silver balloon from
the wedding party posing for
photos before a copse of live oaks,
the trees shawled in moss like
hand-tatted mantillas. Secretly,
I applaud his thievery. And
the bride as well, looking five months
gone, I guess, wearing Mouseketeer
ears with her stupendous gown.
Good for her. Best to keep
two hands on your sense of humor.
Best to ignore those other worlds
exploding, how violently, how
quietly, they come and go.
for Andrew Epstein
After Reading That the Milky Way
Is Devouring the Galaxy of Sagittarius
at the Dorthy B. Oven Park
I'm certain Mrs. Oven
meant to be nice
when she bequeathed that everything
in her garden should be nice
forever. This explains
one version of paradise:
the tiny gazebo with fluted
piecrust for a roof, the footbridge
spanning a tinkly stream
small enough to step over.
Even this snail drags
an irridescent skid mark
around the fountain's marble
lip. His shell is an enormous
earring like the ones my mother
wore to prom in 1957,
that large, that optimistic.
And because we're never alone
in paradise, my son is here.
He's stolen a silver balloon from
the wedding party posing for
photos before a copse of live oaks,
the trees shawled in moss like
hand-tatted mantillas. Secretly,
I applaud his thievery. And
the bride as well, looking five months
gone, I guess, wearing Mouseketeer
ears with her stupendous gown.
Good for her. Best to keep
two hands on your sense of humor.
Best to ignore those other worlds
exploding, how violently, how
quietly, they come and go.
for Andrew Epstein
Labels:
Black Box,
Erin Belieu,
Poetry
Sunday, September 15, 2013
Your Sunday Poem
Here's a sly, wickedly savage, wonderful poem to share from a new (to me) poet, Erin Belieu. Oh, bad king Louis XV, you're sooo right.
Apres Moi
is pest, is plague, is
global atrophy, desire
insipid, the single
Saltine in its crumpled
sleeve. Future of
courtesy balance and
hysterical number,
markets depressed,
a bottomed-out
G.D.P.
Oh yes,
it all goes up,
Kablooey! Good luck
enjoying those bonfires
with no s'mores!
Big, BIG
mistake, to make this
life without me. So
when the horsemen
descend on your
address, ride jiggety-
clop to your
empty door,
you
can exlain this mess.
I won't live here
anymore. To you,
I bequeath
a world where cupboards
stick, with nothing left
to creak for.
Apres Moi
is pest, is plague, is
global atrophy, desire
insipid, the single
Saltine in its crumpled
sleeve. Future of
courtesy balance and
hysterical number,
markets depressed,
a bottomed-out
G.D.P.
Oh yes,
it all goes up,
Kablooey! Good luck
enjoying those bonfires
with no s'mores!
Big, BIG
mistake, to make this
life without me. So
when the horsemen
descend on your
address, ride jiggety-
clop to your
empty door,
you
can exlain this mess.
I won't live here
anymore. To you,
I bequeath
a world where cupboards
stick, with nothing left
to creak for.
Labels:
Apres moi,
Erin Belieu,
King Louis XV,
le deluge
Subscribe to:
Posts (Atom)