This by Jack Gilbert, another of my favorite poets, from "Collected Poems," published by Alfred A Knopf, (2012) shortly before his death.
Seen From Above
In the end, Hannibal walked out of his city
saying the Romans wanted only him. Why should
his soldiers make love to their swords?
He walked out alone, a small figure in
the great field, his elephants dead at
the bottom of the Alps' crevasses. So might we
go to our Roman death in triumph. Our love
is of marble and large tawny roses,
in the endless harvests of our defeat.
We have slept with death all our lives.
It will grind out its graceless victory,
but we can limp in triumph over the cold
intervening sand.
Showing posts with label Jack Gilbert. Show all posts
Showing posts with label Jack Gilbert. Show all posts
Sunday, February 10, 2013
Sunday, December 16, 2012
Your Sunday Poem
Before he recently died, Jack Gilbert's "Collected Poems," was published, more than fifty years of his work in one volume. It's a wonderful collection, in case you're looking for a fine Christmas gift. Here's a fine from the volume:
The Manager of Incidentals
We are surrounded by the absurd excess of the universe.
By meaningless bulk, vastness without size,
power without consequence. The stubborn iteration
that is present without being felt.
Nothing the spirit can marry. Merely phenomenon
and its physics. An endless, endless of going on.
No habitat where the brain can recognize itself.
No pertinence for the heart. Helpless duplication.
The horror of none of it being alive.
No red squirrels, no flowers, not even weed.
Nothing that knows what season it is.
The starts uninflected by awareness.
Miming without implication. We alone see the iris
in front of the cabin reach its perfection
and quickly perish. The lamb is born into happiness
and is eaten for Easter. We are blessed
with powerful love and it goes away. We can mourn.
We live the strangeness of being momentary,
and still we are exalted by being temporary.
The grand Italy of meanwhile. It is the fact of being brief,
being small and slight that is the source of our beauty.
We are a singularity that makes music out of noise
because we must hurry. We make a harvest of loneliness
and desiring in the blank wasteland of the cosmos.
The Manager of Incidentals
We are surrounded by the absurd excess of the universe.
By meaningless bulk, vastness without size,
power without consequence. The stubborn iteration
that is present without being felt.
Nothing the spirit can marry. Merely phenomenon
and its physics. An endless, endless of going on.
No habitat where the brain can recognize itself.
No pertinence for the heart. Helpless duplication.
The horror of none of it being alive.
No red squirrels, no flowers, not even weed.
Nothing that knows what season it is.
The starts uninflected by awareness.
Miming without implication. We alone see the iris
in front of the cabin reach its perfection
and quickly perish. The lamb is born into happiness
and is eaten for Easter. We are blessed
with powerful love and it goes away. We can mourn.
We live the strangeness of being momentary,
and still we are exalted by being temporary.
The grand Italy of meanwhile. It is the fact of being brief,
being small and slight that is the source of our beauty.
We are a singularity that makes music out of noise
because we must hurry. We make a harvest of loneliness
and desiring in the blank wasteland of the cosmos.
Labels:
Collected Poems,
Jack Gilbert
Sunday, November 18, 2012
Your Sunday Poem
One of my favorite poets, Jack Gilbert, died recently. In a cruel twist of what he likely would see as poetic irony, he died of Alzheimer's, a cruel, slow erasure for a man whose genius and soul was composed of words. Luckily, in 2009, Knopf published his "Collected Poems, which gathered his five original collections (some of which were out of print), plus some new work, so at least his extraordinary voice would not be lost to the world. Gilbert's work had magnitude, and I am grateful for the gift of it to the world.
If you're unfamiliar with his work, please go get a copy of "Refusing Heaven," which is a good place to start and was the Winner of the National Book Critics Circle Award for Poetry. It's out in paperback so is very affordable.
This poem, one of my all time favorites, says it all.
A Brief For The Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the morning before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island; the waterfront
is three shuttered cafes and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out then goes back is truly worth
all the years of sorrow that are to come.
If you're unfamiliar with his work, please go get a copy of "Refusing Heaven," which is a good place to start and was the Winner of the National Book Critics Circle Award for Poetry. It's out in paperback so is very affordable.
This poem, one of my all time favorites, says it all.
A Brief For The Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the morning before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island; the waterfront
is three shuttered cafes and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out then goes back is truly worth
all the years of sorrow that are to come.
Labels:
;Refusing Heaven,
Collected Poems,
Jack Gilbert
Sunday, March 13, 2011
Your Sunday Poem
This sly poem is from Jack Gilbert's, "The Great Fires, poems 1982-1992" Alfred A. Knopf, .Y 2004 This is a lovely collection. Do yourself a favor, and get a copy. Poets need our support. They're an endangered species.
Theoretical Lives
All that remains from the work of Skopas
are the feet. Sometimes not even that.
Sometimes only irregularities on the plinth
that may indicate how the figure stood.
Using the feet, or shadows of feet,
and the exact diagrams of German professors,
learned men argue about what the arms
were doing and how good the sculpture was.
As we do with our lives, guessing whether
the woman was truly happy when it rained
and if her father was really the ambassador.
Whether she was passionate or just wanted to please.
Theoretical Lives
All that remains from the work of Skopas
are the feet. Sometimes not even that.
Sometimes only irregularities on the plinth
that may indicate how the figure stood.
Using the feet, or shadows of feet,
and the exact diagrams of German professors,
learned men argue about what the arms
were doing and how good the sculpture was.
As we do with our lives, guessing whether
the woman was truly happy when it rained
and if her father was really the ambassador.
Whether she was passionate or just wanted to please.
Labels:
Jack Gilbert,
Monolithos,
The Great Fires,
Views of Jeopardy
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