This lovely poem is by Los Osos artist/poet, Sylvia Howell Kneller. It's a perfect poem to start off the New Year. It's also the perfect poem for every new day.
Open Hands
Every day life offers
a gift of confetti.
As it gets released,
some of it
remains
in the universe at large
to bless others,
while the rest
returns
to shower us
with surprise.
But we must make the toss
to experience the magic.
Sunday, December 29, 2013
Wednesday, December 25, 2013
Sunday, December 22, 2013
Christmas Messenger
Calhoun's Cannons for Dec 22, 2013
The universe if full
of magical things patiently waiting for our wits to grow sharper.
Eden Phillpots
Thank God this embarrassing year is finally tumbling
offstage, all ridiculous clown shoes flapping, and ooga-ooga horns blaring. You just know the founding fathers are
rolling their eyes while rolling in their graves. Could Congress get more idiotic than it already is?
Who elected these fools? Wait. Don't answer that. Instead of shutting the government down and
hurting real people and a real economy, what would have happened had all the sane Congresspersons simply turned the
lights out and left the building? Let those
morons sit there in the dark?
I know. They wouldn't
have noticed.
Mercifully, time, tide, and rising suns will move this
dumbshow off the stage, ready for some other piece of idiocy or sad pointless drama. Change and flow, all change and flow that briefly
illuminates the flickering, ephemeral reality of our lives.
In my house, more change.
The last of the Basenjis slipped into air to join all the other little
canine spirits that haunt my garden.
After 30-something years, the absence of their fierce little energies is
palpable. But the tall dogs remain and
move with languid grace among the garden-ghosts, lavenders and sage. Although
their increasingly grey muzzles are a daily not-so gentle reminder of time's
unstoppable flow.
Out in the garden, The Great Grapevine has renewed
itself. Judicious but firm pruning
forced its overgrown woody trunk to come back to life and sprout new vines. By Thanksgiving, the Roger's Red grapevines were
curtained with leaves that blazed with some of the purest reds I've ever seen
in nature. It's their last fiery gift to
the coming winter. As is the huge mound
of massed yellow blooms of the Tagetes.
Warmed by the late afternoon sun, the tumbling cascade of flowers is
alive with humming bees loading up last minute pollen for the cold, lean days
ahead.
More transformation in the garden. I excavated the torso-sized root of a clump
of Giant 4 O'Clocks, a 40-pound behemoth tuber that was finally defeated by
strategy and a sharp shovel. I will miss the ghostly gleam of its array of pastel
pink and white blooms that opened in the soft summer dusk, a floral offering
for the night moths. But in its place
I'll plant an apple tree that's supposed to grow well in this area. I don't know how long it will take to get
apples, but with luck, I'll have soft blooms waiting for the hungry spring
bees.
Throughout the land, Christmas will be a slimmer, darker
affair. The Salvation Army's bell ringers have their work cut out for
them. Food banks and homeless shelters,
too. As a nation we have deliberately
committed a bizarre form of suicide: Death by a thousand cuts, starting with
the poor. While a few Scrooges pile up
all the gold in their storehouses, the city fills with more and more Bob
Cratchits shivering with only a half-lump of coal in their grates. No
Christmas pudding for you! We've
turned ourselves into Scrooged Nation and left ourselves behind as self-mutilated
road-kill, a sprig of holly in our
shabby lapels. Where is Jacob Marley, come
to clank his chains at us and open our furious, blind hearts?
Once again I climb the ladder to bring the guardian
nutcrackers down from the garage rafters and blow the dust off their
boxes. Another year for them to watch
over the small festivities. I place them around the house and drape a few
strings of brilliantly hued LED Christmas lights and suddenly the ancient
ritual of the Yule Log whispers into the room to keep the cold and darkness of winter's
night at bay.
And across five million years, our own Christmas miracle
arrived. The comet Ison appeared briefly
before us like a messenger across time itself.
And in a mystery, died in the blaze of our sun only to miraculously
re-appear for an instant before finally disappearing into stardust. Like us, it had also been on a long, fragile,
mysterious journey.
Overhead, the winter stars gleam, transiting in their own
immense time, untouched by the minute
scurryings on our own ill-used and dangerously fragile little speck of dust. I
find their vast indifference a kind of cold comfort since hope for a decent
future seems such a folly. Humans have no lock on survival and if we don't care
enough to sustain a livable world, nature will pass her judgment on us soon
enough. Either way, earth itself will abide and all will be well as Shiva dances
in the spiraling, tumbling galaxies without end.
Molly McGuire roos at me as I stand in the cold, staring at
the night sky. She wants her bedtime dog
biscuit. The Mighty Finn McCool leans
his tall body against mine, ears up to catch the rustlings in the night, nose
twitching. The solstice sun will be rising soon on a brand new day.
Labels:
Basenjis,
Bob Cratchit,
Christmas,
Comet Ison,
Congress,
Scrooge,
Yule log
Tuesday, December 17, 2013
Parade Time
Los Osos held it’s 2013 Christmas parade, with an "Under Construction" theme. Herewith some of the parade participants and/or audience, though, with our parade, it’s often hard to tell one from the other, which is what makes our holiday festivities so special
Gussied up for his first parade |
Morro Bay's finest |
Including a yellow cap |
4-H "Under Construction" equestrian unit |
Complete with proper safety signage. |
Mom and her horse clean-up crew |
Buffalo Pizza, anyone? |
Why walk when you can roll? |
This elf was a Christmas Parade of her own |
Morro Bay's own Captain Jack blows the Christmas Conch |
Labels:
Los Osos Christmas Parade
Sunday, December 15, 2013
Your Sunday Poem
And, finally, the fourth "voice" from the wonderful new book of poems by four local poets, "Where Our Palm Rest, Beverly Boyd, Carol Alma McPhee, Joann Rusch, Bonnie Young, " published by Coalesce Press and available at Coalesce Bookstore and other local bookstores. Christmas is coming and this would make a fine gift to put under your tree to enjoy and to support our local poets and Coalesce's publishing venture. This lovely sample is by Bonnie Young.
At Home
Dear God, meet me in the backyard.
Come quickly but do not disturb
the chickadee, so sure she sits on a branch
of my acacia tree. Bless me, please,
with her peace and surety this day.
Perhaps if I chalk my hair yellow and black,
fluff my arms wide in adoration,
welcome jackrabbit and quail before
taking off, I'll fly home with you.
At Home
Dear God, meet me in the backyard.
Come quickly but do not disturb
the chickadee, so sure she sits on a branch
of my acacia tree. Bless me, please,
with her peace and surety this day.
Perhaps if I chalk my hair yellow and black,
fluff my arms wide in adoration,
welcome jackrabbit and quail before
taking off, I'll fly home with you.
Friday, December 13, 2013
Oh, Go Stand In The Corner, Megyn. Here's your Dunce Cap.
Calhoun's Cannons for Dec 13, 2012
Does Fox Noise's Megyn Kelly ever feel even a twinge of shame or embarrassment working for Fox Noise? Like, does she ever look in the mirror and say, "I'm smart, I'm talented, I'm a serious reporter, for God's sake! What the hell am I doing working for this cockamamie outfit?"
Same thing for Chris Wallace, scion of a famous newsman. Does he look in the mirror and cringe?
Or does their salary soothe the "Eeeuuuu" factor of working for a silly network like Fox, a network that's become the butt of comics and an endless supply of humor for Jon Stewart? A station that needs air-quotes around it's name, Fox "News."
I mean, it's bad enough that every year the ridiculous Bill O'Reilly trots out his fake "War on Christmas" campaign, a tinsel-bedecked masturbatory fantasy he uses to excite his clueless fans with false boogeyman fears that hoards of secular atheists are heading for their living rooms to take away their Christmas trees. But now, the usually hard-news Megyn Kelly has joined in the fray with her little faux "discussion" about a Slate opinion piece by Aisha Harris.
Poor Ms. Harris, an African American, wrote a piece for Slate magazine that dared discuss her confusion as a child seeing black Santa Claus decorations in her house, while all her (white) friends' homes had white Santa ornaments and decor, and, of course, the larger world outside the home had white Santas all over the place.
Naturally, a small black child would ask: Which is the "real" Santa. Ms. Harris' wise father bridged the gap by saying that Santa could appear differently to different children. Being a smart little girl, Ms. Harris didn't quite buy that argument. The popular culture she lived in was overwhelmingly "white," so it would be logical that a very smart little black girl might wonder where in this world did she fit in?
And so her semi-humorous piece suggesting that since our country's racial demographic is changing, perhaps it was time to change some of it's iconic images and switch a white male Santa to some kind of neutral animal, like a penguin complete with red cap and sack of presents. After all, our "Santa" is a totally made up image so we're free to change it's image any way we want. (St. Nick, the original "Santa" was Greek and looked nothing like our "Santa, " which was the creation of the brilliant 19th century cartoonist, Thomas Nash morphed with the work of a 1940s illustrator hired by Coca Cola for it's luscious, glowing, pink-cheeked, Coke-slurping iteration.)
So, naturally, Megyn and a "panel of Faux Noisers had a "discussion" about this made-up "controversy" that mostly consisted of Kelly trying to goose herself up to outrage level for a little Christmas masturbatory huffing that sneered at the very real issue of a minority child's sense of place in a majority society.
Oh, and Megyn also declared that Jesus was a white man which caused any number of Biblical scholars to blow eggnog through their noses. And moved this Faux Noisiness off into SurrealLand.
But all was not lost. Sane people watching this latest piece of idiocy from a "news" station were again confirmed that their use of air-quotes when saying Fox "news" was certainly correct. And comics were beside themselves with glee for being handed their leads for their nightly shows. And straight, serious newscasters, you know, the real kind, who were secretly envious at Kelly's huge salary, got a hefty dose of schadenfreude watching her struggle with what she had to know was pandering nonsense required to goose the ratings and raise her show's visibility which would allow her to parlay those ratings into a better contract come renewal time.
Still, the question remained: Does Megyn Kelly cringe when looking in the mirror? Or does she secretly hope that the CEOs at other news organizations will realize that she's stuck right now as Roger Ailes' blond-bimbo-news-reader du jour and will soon come to rescue her by offering a real job as a real journalist on a real news show?
Now, that would be a great Christmas story.
Labels:
Aisha Harris,
Faux Noise,
Fox News,
Megyn Kelly,
Santa Clause,
St. Nick
Tuesday, December 10, 2013
Another Coffee Christmas
Christmas at my house usually officially starts when the L.L. Bean Holiday centerpiece from family in Maine arrives. Followed by the Vocal Arts Christmas concert at the SLO Mission. Now, those two events have been joined by our own Los Osos gem of a business – SLO Roasted Coffee Company.
For the second year, they hosted another Holiday Open House , coffee tasting, coffee roasting demonstration last Saturday. The crowd was even thicker this year than last and, as word gets out and people put the event on the radar, I’m sure it’ll continue to grow. Great chance to see friends and neighbors, taste a wide variety of their coffees and schmooze. Plus, learn something about coffee.
But this year they’ve added a new wrinkle. A table displaying new products made with coffee. Like a coffee scented candle. Or, soap, shampoo and body scrub. Or coffee cookies. And what’s interesting about that is they’ve paired with two other local businesses to create these new products.
In the case of the soaps, Babylonian Soap Company in Morro Bay and for the cookies, the Brown Butter Cookie Company in Cayucos. Very clever, one local business pairing with another local business to create more business
.
They were also demonstrating some new products, including this portable coffee grinder. Which is useful if you’re a foodie out hiking in the Himalayas looking for the Yeti and you just have to have a freshly ground cup of coffee. Or you’re just out camping and see no reason why you have to be suck with boiled coffee when you can have, instead, freshly ground beans made with one of of my new favorites – the small, portable AeroPress, a kind of small, super-duper Espresso/French-ish one cup press that makes absolutely delicious coffee in the time it takes to boil water. The fast pressing removes all the bitterness and you’re just left with yummy. (The versitility of the AeroPress is handy. Depending on the amount of coffee you use, you can end up with espresso, or cappuccino, or add water for an Americano, or add the full amount of water and make a regular cup of coffee. All of them smooth as silk )
And to display some of their new products, they’ve set up a great new mini-store inside the front door. If you’ve got friends and family living outside the county, SLO Roasted is a great way to send them a taste of Los Osos. Toss in some Babylonian soap and some cookies from Brown Butter Cookies and you’ll have a Care package from the central coast.
SLO Roasted is at www.sloroasted.com , the Babylonian Soap Co. is at http://www.babyloniansoap.com and Brown Butter Cookie Company at http://www.brownbuttercookies.com.
And to finish off starting the holiday season, coming up is our own Loving Hands At Home Los Osos Christmas Parade, Saturday, Dec 14 at 10 a.m. followed by the annual Needs & Wishes Fundraiser at the Community Center for the homeless shelter.
Monday, December 09, 2013
Cambria Christmas Market Plus
If you’re heading up to Cambria for the wonderful lighted walk / Christmas Market at the Cambria Lodge, plan to make a stop at the Cambria Nursery (on Burton Dr.) (If you go early enough, you can park at the nursery and enter the lighted walk from across the street.)
But, do yourself a favor and take some time to check out the whole nursery. They’ve also put on a light show and their gift stores are eye boggling. In the realm of OMG!. They’ve done a spectacular job creating whole rooms of Christmas decorations on steroids. It’s quite a fairy land, and even includes a resident black cat.
Take a gander:
But, do yourself a favor and take some time to check out the whole nursery. They’ve also put on a light show and their gift stores are eye boggling. In the realm of OMG!. They’ve done a spectacular job creating whole rooms of Christmas decorations on steroids. It’s quite a fairy land, and even includes a resident black cat.
Take a gander:
Sunday, December 08, 2013
Your Sunday Book
Coalesce Book Store in Morro Bay has published a book, an amazing thing to do in this day and age, and it's a book of poetry at that. Doubly amazing. "Where our palms rest . . ." with poems by local poets, Beverly Boyd, Carol Alma McPhee, Joann Rusch and Bonnie Young, (Coalesce Press) is available at Coalesce or your nearest bookstore. Christmas is coming fast, and this lovely book would make a great gift for your poetry loving friends. I've previously posted a poem from two of the poets so you can get a feel for their "voice." Here's the third (of four), by Carol Alma McPhee and a perfect example of just why poetry matters. And a perfect reason to go buy their book.
Bleached
Life becomes
eventually
a mutter of bones:
a whispering in the desert
after tendon
and muscle lose dominion:
a parable,
supposed
to recall the past,
sounding instead
the daily
benediction of the sun.
Bleached
Life becomes
eventually
a mutter of bones:
a whispering in the desert
after tendon
and muscle lose dominion:
a parable,
supposed
to recall the past,
sounding instead
the daily
benediction of the sun.
Monday, December 02, 2013
There Goes December
Instead of St. Nick, this December is beginning to feel like one big White Rabbit -- I'm late, I'm late . .
Too much to do, so little time to do it in. So, here's a small list of upcoming, current Swell Stuff.
The Cambria Christmas Market (see previous posting.) That's not to be missed. Also, best hustle to get tickets to the SLO Little Theatre (http://slolittletheatre.org) for their wonderful production of, "Miracle on 34th St." It's a great production, great cast, beautifully staged and directed, a great way to get in a holiday mood.
Ditto for the grand spectacle at the PCPA in Santa Maria for their production of "Mary Poppins." (http://PCPA.ORG ) They've pulled out all the stops on this one. Fabulous sets, costumes, dance numbers, and, being Mary Poppins, lots of flying overhead and acrobatic high-wire work. The high degree of professionalism at the PCPA never ceases to amaze and this production is no exception.
Both plays run until Dec. 22, so there's no time to lose.
And no time to lose since the Winter Concert by the Vocal Arts Ensemble choral group is coming up this Saturday, Dec. 7 in the SLO Mission (http://vocalarts.org ) Their Christmas Concert is always a high point of my holiday plans.
Also on Dec 7, from 12 - 4, SLO Roast Coffee is having another coffee-tasting --sample different coffees paired with yummy, decadent desserts -- and watch a coffee roasting demonstration. Plus a chance to buy some of their coffees which are a great addition to your Christmas list, especially for friends and family living out of state -- a little taste of our home town coffee roasters.
Also another local product to go on the list, the new "Banjo Babes 2014 Calendar and Compilation CD." ( http://banjobabescalendar.com), for all your friends who are banjo fans. This wonderful item was cooked up by talented musician, Erin Inglish (her dad's part of Cafe Musique). (You can also contact her via FaceBook as well). And, as long as you're making out a Christmas List, add Coalesce Bookstore (Morro Bay) and their second publishing venture, a book of poetry by four local poets, "Where our palms rest . . . Beverly Boyd, Carol Alma McPhee, Joann Rusch, Bonnie Young."
And, Sunday Dec 8, from 11-4, the Central Coast Glass Cottage will be holding an open house "Art Glass 2013 Holiday Glass Showcase" at 1279 2nd St. There'll be demonstrations of glass work, and a chance to see the beautiful work being created in the lovely workspace/gallery right here in downtown Baywood. Also, a portion of all sales will be donated to Woods Humane Society and Soles4souls ("Changing the world 1 pair of shoes at a time.") And if you get peckish, Noi's (another Baywood treasure) is right across the street.)
And finally, don't forget our own loving-hands-at-home Los Osos Christmas Parade here in Los Osos, Saturday, December 14, 10 a.m. This is followed, at the Community Center, by the 8th Annual "Needs 'N Wishes" Holiday Fundraiser", sponsored by South Bay Seniors People Helping People -- a fundraiser for the Maxine Lewis Memorial Shelter (for the homeless), Transitional Food and Shelter (for homeless after leaving the hospital) and the SLO Noor Clinic (free health clinic for uninsured folk).
The Holiday Fundraiser at 2180 Palisades Ave, Los Osos, at the Community Center, runs from 10 a.m. to 7 pm. and features food, music, raffles, and most important of all, a chance to dump all your loose change (and more) into the big 5-gallon water jugs, all monies raised going to help people less fortunate. Which is what a good deal of the Christmas Spirit is all about.
Too little December, too many wonderful things to do. Yes, it's White Rabbit time . . . .
.
Too much to do, so little time to do it in. So, here's a small list of upcoming, current Swell Stuff.
The Cambria Christmas Market (see previous posting.) That's not to be missed. Also, best hustle to get tickets to the SLO Little Theatre (http://slolittletheatre.org) for their wonderful production of, "Miracle on 34th St." It's a great production, great cast, beautifully staged and directed, a great way to get in a holiday mood.
Ditto for the grand spectacle at the PCPA in Santa Maria for their production of "Mary Poppins." (http://PCPA.ORG ) They've pulled out all the stops on this one. Fabulous sets, costumes, dance numbers, and, being Mary Poppins, lots of flying overhead and acrobatic high-wire work. The high degree of professionalism at the PCPA never ceases to amaze and this production is no exception.
Both plays run until Dec. 22, so there's no time to lose.
And no time to lose since the Winter Concert by the Vocal Arts Ensemble choral group is coming up this Saturday, Dec. 7 in the SLO Mission (http://vocalarts.org ) Their Christmas Concert is always a high point of my holiday plans.
Also on Dec 7, from 12 - 4, SLO Roast Coffee is having another coffee-tasting --sample different coffees paired with yummy, decadent desserts -- and watch a coffee roasting demonstration. Plus a chance to buy some of their coffees which are a great addition to your Christmas list, especially for friends and family living out of state -- a little taste of our home town coffee roasters.
Also another local product to go on the list, the new "Banjo Babes 2014 Calendar and Compilation CD." ( http://banjobabescalendar.com), for all your friends who are banjo fans. This wonderful item was cooked up by talented musician, Erin Inglish (her dad's part of Cafe Musique). (You can also contact her via FaceBook as well). And, as long as you're making out a Christmas List, add Coalesce Bookstore (Morro Bay) and their second publishing venture, a book of poetry by four local poets, "Where our palms rest . . . Beverly Boyd, Carol Alma McPhee, Joann Rusch, Bonnie Young."
And, Sunday Dec 8, from 11-4, the Central Coast Glass Cottage will be holding an open house "Art Glass 2013 Holiday Glass Showcase" at 1279 2nd St. There'll be demonstrations of glass work, and a chance to see the beautiful work being created in the lovely workspace/gallery right here in downtown Baywood. Also, a portion of all sales will be donated to Woods Humane Society and Soles4souls ("Changing the world 1 pair of shoes at a time.") And if you get peckish, Noi's (another Baywood treasure) is right across the street.)
And finally, don't forget our own loving-hands-at-home Los Osos Christmas Parade here in Los Osos, Saturday, December 14, 10 a.m. This is followed, at the Community Center, by the 8th Annual "Needs 'N Wishes" Holiday Fundraiser", sponsored by South Bay Seniors People Helping People -- a fundraiser for the Maxine Lewis Memorial Shelter (for the homeless), Transitional Food and Shelter (for homeless after leaving the hospital) and the SLO Noor Clinic (free health clinic for uninsured folk).
The Holiday Fundraiser at 2180 Palisades Ave, Los Osos, at the Community Center, runs from 10 a.m. to 7 pm. and features food, music, raffles, and most important of all, a chance to dump all your loose change (and more) into the big 5-gallon water jugs, all monies raised going to help people less fortunate. Which is what a good deal of the Christmas Spirit is all about.
Too little December, too many wonderful things to do. Yes, it's White Rabbit time . . . .
.
Sunday, December 01, 2013
Your Sunday Trip
Cambria’s having its Christmas Market every Wed – Sunday, from now until Dec 22, from 5 - 9 pm. It’s held on the grounds of the Cambria Lodge at 2905 Burton Drive. There’s a $4 entrance fee, but you’re given 4 tokens which gets you $1 off for every $10 you spend in the mini-town market center they’ve created, booths manned by various Cambria merchants, plus a few food booths (Most wonderful combination: a booth selling bread pudding, hot chocolate and tamales.) There’s even a St. Nick roaming around.
The second part of this event are the lights. The amazing lights, which must have taken weeks to rig up. What’s created is a fairyland that starts you off through a tunnel of lights, then along a rambling path that snakes from the lodge at the top of the hill, down, down, down to another entrance across from the Cambria Nursery.
They’ve used the intensely color-saturated LED lights and the whole effect can be utterly disorienting. The shooting stars (below) for example, appear through the trees and look like the lights were simply stretched from the ground to a tree. But ramble down the path to get a closer look and you suddenly see, through the darkness, that isn’t ground. You’re standing on the edge of a yawning canyon which the lights cross to get to the tall trees on the other side.
All the usual suspects are there as well; a lighted creche, figures from the Nutcracker, Santa’s house, even the Grinch has his own little niche. Along the way were braziers near benches so people could sit, sip their spiced cider and listen to live music (played very softly so as to not disturb the Lodge’s guests.)
But it’s the fairyland in the trees that’s visually enchanting. Trees wrapped in lights so as you stroll along you think you’ve fallen into the middle of the movie, “Avatar.”
This event is now getting so popular that it’s having the usual growing-pains problems: traffic, parking, complaining neighbors. The event coordinators are recommending people park at the public parking lot (behind and down the alley next to Robin’s restaurant) and walk up Burton Drive to The Brambles, or park in the lot at The Brambles. One of several shuttle busses will pick up and drop off at that site every 10-15 minutes or so as they're running the buses in continuous loops all evening. If you’re early enough, there’s limited parking at the Cambria Nursery and from there you can walk across the street to the bottom entrance gate and walk through the lighted display, ending up at the Marketplace. Other public parking areas are being considered, but they haven't officially been announced, so you can always park on the streets in and around the town center and walk up to the Brambles. (Many of the stores are open late, so it’s a good chance to also do some Christmas shopping as well.)
This is one event the whole family can enjoy. And at $4, an incredible bargain and a great way to start the holiday season.
Thursday, November 28, 2013
Harvest Blessings
Blessed of the lord be . . . for the precious fruits brought forth by the sun, and for the precious things put forth by the moon, and for the chief things of the ancient mountains, and for the precious things of the lasting hills. Deuteronomy 33:13-15
Wishing you all a lovely Thanksgiving Day and a happy Hanukkah.
Monday, November 25, 2013
Frat Follies, Redux
Another major bit of stupidity from Cal Poly "Greeks." Some goofus dreamed up a "Colonial Bros and Nava-Hos" party, which hit the papers and everyone properly rolled their eyes and said, "Oh, Jeeze, not again?"
Yes, again. Who could forget another party at Halloween that saw some twits decorating the party site with a Confederate flag, a noose and some racial references that nobody with half a brain could miss. Wink-nudge, wink nudge, know what I mean?
And so Cal Poly has to rush around and help mitigate the kind of "message" that these idiotic pranks have on a diverse student body that does, indeed, get the message. And everyone is left wondering, are all Cal Poly students this stupid, or is that gene somehow self-selected in kids who join the whole "Greek" culture? Or maybe wonder if kids nowadays are just cruel as well as clueless?
All possibilities, of course, but I wonder if there's a third answer: Kids nowadays may not know real history, especially when it comes to how minorities have fared both in this country or in the world. Could anybody who has studied Jim Crow America ever claim that there's harmless humor in juxtaposing a Confederate flag and a noose? Or been very familiar with the real history of Native Americans (which means do more than just watch Disney's "Pocahontas.") and then think it'd be swell fun to have a Nava-Ho party? And after studying the Holocaust, would the idea of hosting a Bergen-Belsen Bash (Nazi uniforms and black and white prisoner garb required) ever occur to anybody sane?
Unlikely. As it is, I don't think kids nowadays have a good grounding in history. I know I sure didn't when I was in high school. Back then, utter denial was the order of the day. Yes, yes, we skimmed over Custer and the taming of the west, and slavery, but in the most superficial way. And while I was living through a real-time Black History lesson (the civil rights struggle) it wasn't until I returned to college much later, that the University required at least one class in Native American Studies or Black Studies. (Now, I'm sure there's other disciplines in Women's studies, Chicano studies, etc. available). Those classes and extensive reading on my own, gave me a far clearer picture of what being a minority in a majority culture is like. How history can be used to distort and deny, how images and coded language can be used to send a message and so maintain control and how a smiley-faced fake history can maintain the status quo.
And how, if all you know about "Indians" is dressing up as a turkey in your grade school Thanksgiving pageant, how easy it is to think Nava-Hos is funny.
Universities and Jr. Colleges find a real need to require students to take remedial math and English classes since many students just aren't prepared for college course work. I would suggest maybe Cal Poly might want to offer a required workshop to all incoming freshman that would include Cultural Awareness, the dangers of alcohol abuse and a personal safety refresher lesson on rape/date rape.
The kids involved in this latest piece of nonsense are, I'm sure, good kids, who would not knowingly be cruel to anyone. But because they really didn't know much of anything, it was easy to cross lines they were never taught were there. When they know better, they'll do better.
Like all kids everywhere.
Yes, again. Who could forget another party at Halloween that saw some twits decorating the party site with a Confederate flag, a noose and some racial references that nobody with half a brain could miss. Wink-nudge, wink nudge, know what I mean?
And so Cal Poly has to rush around and help mitigate the kind of "message" that these idiotic pranks have on a diverse student body that does, indeed, get the message. And everyone is left wondering, are all Cal Poly students this stupid, or is that gene somehow self-selected in kids who join the whole "Greek" culture? Or maybe wonder if kids nowadays are just cruel as well as clueless?
All possibilities, of course, but I wonder if there's a third answer: Kids nowadays may not know real history, especially when it comes to how minorities have fared both in this country or in the world. Could anybody who has studied Jim Crow America ever claim that there's harmless humor in juxtaposing a Confederate flag and a noose? Or been very familiar with the real history of Native Americans (which means do more than just watch Disney's "Pocahontas.") and then think it'd be swell fun to have a Nava-Ho party? And after studying the Holocaust, would the idea of hosting a Bergen-Belsen Bash (Nazi uniforms and black and white prisoner garb required) ever occur to anybody sane?
Unlikely. As it is, I don't think kids nowadays have a good grounding in history. I know I sure didn't when I was in high school. Back then, utter denial was the order of the day. Yes, yes, we skimmed over Custer and the taming of the west, and slavery, but in the most superficial way. And while I was living through a real-time Black History lesson (the civil rights struggle) it wasn't until I returned to college much later, that the University required at least one class in Native American Studies or Black Studies. (Now, I'm sure there's other disciplines in Women's studies, Chicano studies, etc. available). Those classes and extensive reading on my own, gave me a far clearer picture of what being a minority in a majority culture is like. How history can be used to distort and deny, how images and coded language can be used to send a message and so maintain control and how a smiley-faced fake history can maintain the status quo.
And how, if all you know about "Indians" is dressing up as a turkey in your grade school Thanksgiving pageant, how easy it is to think Nava-Hos is funny.
Universities and Jr. Colleges find a real need to require students to take remedial math and English classes since many students just aren't prepared for college course work. I would suggest maybe Cal Poly might want to offer a required workshop to all incoming freshman that would include Cultural Awareness, the dangers of alcohol abuse and a personal safety refresher lesson on rape/date rape.
The kids involved in this latest piece of nonsense are, I'm sure, good kids, who would not knowingly be cruel to anyone. But because they really didn't know much of anything, it was easy to cross lines they were never taught were there. When they know better, they'll do better.
Like all kids everywhere.
Sunday, November 24, 2013
Sunday's Muse
The world is charged with the grandeur of God.
It will flame out like shining from shook foil; . . .
Gerard Manley Hopkins 1844-1889
Friday, November 22, 2013
Where Were You?
Calhoun's Cannons
Fifty years ago today.
Seems odd to say that, but live long enough and there you are, saying
"Fifty years ago . . ."
The media will spend the day filled with remembrance of
JFK's assassination. It was a generational, historical and transformational
watermark, an act that in many ways symbolized and created the new era to come.
There was Before, then there was After. And
everything had changed, changed utterly.
I was attending Art
Center School,
in L.A. and had taken off a
semester to work in the shipping department of U.S. Electrical Motors. (They
made all kinds of electrical motors, from tiny submersible pumps, small motors
of all kinds, up to behemoths that needed cranes to lift.) On that November day
I was in the shipping office, typing away at the Bill of Lading desk, when one
of the linemen came into the office and announced that the President had been
shot.
In the stunned silence, one of my co-workers across the room,
an older woman named Ruth, who was a self-declared political conservative and
ill-disguised bigot, laughed out loud and clapped her hands and gleefully
blurted out, "Thank God somebody
finally killed that son of a bitch!"
In the absolute, utter shocked silence that followed her remark,
all heads turned to look at her. She
suddenly came to herself and realized what she had secretly felt was now out
there in the room, in all its ugly, grotesque inappropriateness. Embarrassed, she hastily started a muddled
back-pedaling, but it was too late. All
of us in the room had heard what we had heard.
Ruth's remarks truly shocked me at the time. I didn't realize it then, but I had been given
a glimpse into a strain of reactionary darkness
that ran then and still runs through American politics. It's the bone deep racist, reactionary, paranoid,
irrational hatred and malice, often hatred and malice for its own sake, that
festers beyond reason, beyond policy,
beyond politics or practical reality. Ruth's remarks were not some isolated
oddity either. They would have been
welcome in many areas of the country and certainly in enclaves of the
unreconstructed South, a fact that had the Secret Service worried even as Kennedy's
plane winged towards Dallas. It was a face I would see again and again as
the years went by and the country was roiled with rapid change and it's
reactionary counterpoint. It's a face
I'm seeing now as our politics turns dangerously poisonous once again.
For the rest of it, as I had no TV, the ongoing, daily
wall-to-wall visual coverage that many remember passed me by. I kept up with the news via newspaper, radio
and Life Magazine, media that had none of
the same visceral emotional impact that live TV must have had. It wasn't until much later, in TV re-runs or
documentaries that I saw the many famous moments, after the fact -- Walter
Cronkite taking off his glasses, Oswald
being shot -- as "moving pictures."
And all of those famous scenes were experienced later, in the cool of
time passed rather than real-time. So my
TV-less experience was very different, far less visceral from the way so many
others experienced this event. Just how
different it was became clear to me much later when I witnessed the Challenger
disaster and 9/11 on TV, in real time.
But one thing that did remain in my memory of that time was
the feeling of just how wrong this act was, how utterly wrong it all was. I suspect the unease I felt was because I was
beginning to understand just what the underlying message of that killing
was. This,
Oswald's bullet seemed to say, This
is how I negate all that this country stands for.
This is how easily I can
change your rules, change your government, change your life, change your history. This is
the New Rule, Baby. This is your future.
Fifty years ago today.
There was Before. There was
After. It's a long time gone. Yet not gone at all.
Labels:
Dallas,
JFK,
JFK Assassination,
Oswald
Wednesday, November 20, 2013
Call Somebody, Please?
Will somebody please permanently take George Zimmerman's guns away from him, at least? That boy's out of control. Got money problems, got anger management problems, wife-girlfriend-abuser problems, stalk-and-shoot problems. Got driving-too-fast problems. Do we need to start a George Zimmerman Betting Pool, gambling on the date when he'll kill again? In "self defense," of course.
Seems that boy can't stay out of the news. Or out of trouble. He's like a train just determined to have a wreck somewhere. And now everyone within a mile of him has to be on tenterhooks keeping out of his way. "Look out! Here comes George and his AK-47! Run Away!" Need to have a judge somewhere declare he has to stay 100 yards away from everyone on the planet. That might help. Until the NRA gifts him with a sniper rifle.
For sure, the NRA loves the guy, no doubt about it. He's their poster child, the best example of the Second Amendment they've got going. The founding fathers would be proud. Stand-your-ground, no matter where it is! That's the ticket. Just move that ground line anywhere you want it to be. Lock and load. It was her fault. She yelled at me and I was in fear for my life. Ker-BLAM! I stalked him until he turned around and came back to confront me and scared me so I shot him in self-defense. Ker-BLAM! I don't know why everyone's so upset. What's the problem?
Obviously, the girls love this bad boy. True, his wife got scared after an alleged altercation involving guns and threats and she decamped. But pretty quickly he got a new girlfriend, until he allegedly pointed a shotgun at her and she called 911. Funny how silly these women are. Little 'ol shotgun. What's the fuss about?
This time, however, the cops hauled him away, he spent the night in the hoosegow accused of felony aggravated assault and two misdemeanors. The judge took away his guns, slapped a satellite monitor on him and instructions to stay away from the girlfriend. Then his wife served divorce papers on him while he was in jail, his enabling family had to cough up the $9,000 bail since, as the Orlando Sentinel reports, he's already $2.5 million in debt (legal fees from the Trayvon Martin killing). Then the judge kicked him loose and he's now back on the streets declaring it was all his girlfriend's fault.
Which is why I say, can somebody get this boy some help here? Guy's got problems and those problems are looking for trouble. Real trouble. And I'm afraid he's gonna keep looking until he finds it. And somebody else is gonna die.
Seems that boy can't stay out of the news. Or out of trouble. He's like a train just determined to have a wreck somewhere. And now everyone within a mile of him has to be on tenterhooks keeping out of his way. "Look out! Here comes George and his AK-47! Run Away!" Need to have a judge somewhere declare he has to stay 100 yards away from everyone on the planet. That might help. Until the NRA gifts him with a sniper rifle.
For sure, the NRA loves the guy, no doubt about it. He's their poster child, the best example of the Second Amendment they've got going. The founding fathers would be proud. Stand-your-ground, no matter where it is! That's the ticket. Just move that ground line anywhere you want it to be. Lock and load. It was her fault. She yelled at me and I was in fear for my life. Ker-BLAM! I stalked him until he turned around and came back to confront me and scared me so I shot him in self-defense. Ker-BLAM! I don't know why everyone's so upset. What's the problem?
Obviously, the girls love this bad boy. True, his wife got scared after an alleged altercation involving guns and threats and she decamped. But pretty quickly he got a new girlfriend, until he allegedly pointed a shotgun at her and she called 911. Funny how silly these women are. Little 'ol shotgun. What's the fuss about?
This time, however, the cops hauled him away, he spent the night in the hoosegow accused of felony aggravated assault and two misdemeanors. The judge took away his guns, slapped a satellite monitor on him and instructions to stay away from the girlfriend. Then his wife served divorce papers on him while he was in jail, his enabling family had to cough up the $9,000 bail since, as the Orlando Sentinel reports, he's already $2.5 million in debt (legal fees from the Trayvon Martin killing). Then the judge kicked him loose and he's now back on the streets declaring it was all his girlfriend's fault.
Which is why I say, can somebody get this boy some help here? Guy's got problems and those problems are looking for trouble. Real trouble. And I'm afraid he's gonna keep looking until he finds it. And somebody else is gonna die.
Monday, November 18, 2013
The Simon Legree Problem
The new movie, "12 Years a Slave," is one of those amazing films that you may not like but should see. Chiwetel Ejiofor turns in a stunning performance as Solomon Northrup, a free black man living in New York, who was tricked, kidnapped and sold as a slave. After 12 years, he manages to secure his freedom, returned to his family, wrote the book the film is based on and lectured on his experience, working with the abolitionists to end slavery.
Ejiofor's powerful, moving performance is the heart and soul of the film and when the movie keeps it's focus on him, it manages to capture the horrors of what he endured better than any film about the antebellum south that I can think of. And it is through his eyes we can experience some of the vast cruelty that this "peculiar institution" inflicted on millions of human beings. It is a stunning performance, supported by many others, with Lupitta Nyong'o bringing in a powerful performance as a young slave who became the obsession of the white planter, played by Michael Fassbender.
And there, in Fassbender's performance, is where I kept tripping over The Simon Legree Problem: How do you portray, in film, the slave owners without sliding into a smiley-faced "Gone With The Wind" dishonesty or tipping over into the Grand Guignol of purest melodrama -- whisker-twirling, teeth-gnashing, drooling, eye-rolling, scenery-chewing, sexual sadists-with-a-whip buffoonery?
Fassbender's made a career of playing kinky, edgy, conflicted characters, but in this role, the director kept him stuck in Johnny One Note mode -- a drunken, weak sexually frustrated sadist stuck in a bad marriage who spent far too much screen time thrashing around fuming and grinding his teeth. If that's your opening note, you don't have anyplace to go from there before you have only frothing at the mouth left.
And that's always been the problem with films trying to portray the experience of slavery. It wasn't the Simon Legrees that made this "peculiar institution" so evil; it was the quiet absolute erasure of humaness for a whole group of people -- all justified by Scripture and self-interested economics and the human capacity to live with cognitive dissonance. White southerners didn't see themselves as monsters. Indeed not. They considered themselves good Christians maintaining a social/economic structure they viewed as just and right. (And not just "southerners." The power and riches of America, both north and south, were built on the backs of slaves. And to keep their economic hegemony, the south would start a civil war. ) And, Yes, they would acknowledge, there were some "Legrees" among them, but they were no-accounts. "Decent" slave holders were "good" to their slaves. After all, one should care for one's property like one would care for a fine horse or a brace of oxen.
And that, for me, is where this film kept getting derailed. In spending too much time on Fassbender's psycho-social problems, the director distracted the audience from so many far-more telling scenes that better illustrated the real horrors. For example, Ejiofor is sold to a kindly slaveholder, played by Benedict Cumberbatch. We watch as a female slave's two children are sold off in front of her. Distressed, Cumberbatch also buys her. (She's wonderfully played by Adepero Oduyeone). She is still weeping when the two new purchases are brought to the plantation. Cumberbatch's wife inquires why the new slave is weeping. She is told that her children were sold away from her. Cooly, and not unkindly, his wife says, Give her some food and she'll soon forget them. The line is delivered with the kindly indifference one would use when speaking about a cow bawling for her newly removed calf. Stop fussing. A little hay, and the creature will come right.
You don't need to chew the furniture to portray the utter evil that underlay that calm scene. And so it went throughout the film. As long as the camera stayed with Chiwetel's point of view, the audience could experience his horrifying journey in so many many little ways -- the betrayals, the loss of hope, the banality of indifferent brutality, the daily struggle to simply survive for another day, the utter denial of one's humanity. All of which was, cumulatively, far more horrible than "Simon Legree's" scene-chewing brutalities.
Despite the Simon Legree Problem, the film is in so many ways, extraordinary, powerful, brave, deeply moving. Come Academy Award time, Mr. Ejiofor will be at the top of the list..
Ejiofor's powerful, moving performance is the heart and soul of the film and when the movie keeps it's focus on him, it manages to capture the horrors of what he endured better than any film about the antebellum south that I can think of. And it is through his eyes we can experience some of the vast cruelty that this "peculiar institution" inflicted on millions of human beings. It is a stunning performance, supported by many others, with Lupitta Nyong'o bringing in a powerful performance as a young slave who became the obsession of the white planter, played by Michael Fassbender.
And there, in Fassbender's performance, is where I kept tripping over The Simon Legree Problem: How do you portray, in film, the slave owners without sliding into a smiley-faced "Gone With The Wind" dishonesty or tipping over into the Grand Guignol of purest melodrama -- whisker-twirling, teeth-gnashing, drooling, eye-rolling, scenery-chewing, sexual sadists-with-a-whip buffoonery?
Fassbender's made a career of playing kinky, edgy, conflicted characters, but in this role, the director kept him stuck in Johnny One Note mode -- a drunken, weak sexually frustrated sadist stuck in a bad marriage who spent far too much screen time thrashing around fuming and grinding his teeth. If that's your opening note, you don't have anyplace to go from there before you have only frothing at the mouth left.
And that's always been the problem with films trying to portray the experience of slavery. It wasn't the Simon Legrees that made this "peculiar institution" so evil; it was the quiet absolute erasure of humaness for a whole group of people -- all justified by Scripture and self-interested economics and the human capacity to live with cognitive dissonance. White southerners didn't see themselves as monsters. Indeed not. They considered themselves good Christians maintaining a social/economic structure they viewed as just and right. (And not just "southerners." The power and riches of America, both north and south, were built on the backs of slaves. And to keep their economic hegemony, the south would start a civil war. ) And, Yes, they would acknowledge, there were some "Legrees" among them, but they were no-accounts. "Decent" slave holders were "good" to their slaves. After all, one should care for one's property like one would care for a fine horse or a brace of oxen.
And that, for me, is where this film kept getting derailed. In spending too much time on Fassbender's psycho-social problems, the director distracted the audience from so many far-more telling scenes that better illustrated the real horrors. For example, Ejiofor is sold to a kindly slaveholder, played by Benedict Cumberbatch. We watch as a female slave's two children are sold off in front of her. Distressed, Cumberbatch also buys her. (She's wonderfully played by Adepero Oduyeone). She is still weeping when the two new purchases are brought to the plantation. Cumberbatch's wife inquires why the new slave is weeping. She is told that her children were sold away from her. Cooly, and not unkindly, his wife says, Give her some food and she'll soon forget them. The line is delivered with the kindly indifference one would use when speaking about a cow bawling for her newly removed calf. Stop fussing. A little hay, and the creature will come right.
You don't need to chew the furniture to portray the utter evil that underlay that calm scene. And so it went throughout the film. As long as the camera stayed with Chiwetel's point of view, the audience could experience his horrifying journey in so many many little ways -- the betrayals, the loss of hope, the banality of indifferent brutality, the daily struggle to simply survive for another day, the utter denial of one's humanity. All of which was, cumulatively, far more horrible than "Simon Legree's" scene-chewing brutalities.
Despite the Simon Legree Problem, the film is in so many ways, extraordinary, powerful, brave, deeply moving. Come Academy Award time, Mr. Ejiofor will be at the top of the list..
Sunday, November 17, 2013
Your Sunday Poem
This by Joann Rusch from the new book of poetry published by our own Coalesce Bookstore in Morro Bay. It's a second publishing venture by Coalesce Press and is a rare and wonderful thing -- a lovely book of poetry by four talented local poets. "Where our palm rest . . ." poems by local Beverly Boyd, Carol Alma McPhee, Joann Rusch, Bonnie Young is available at Coalesce.
Signals in Space
Doors have closed, but windows,
cracked by the cold, have opened to sun
since the cold spring years ago
when you drifted to the sea.
I've tried vision quests, Monk's jazz
and Billie Holiday. I've met new men
and old monastics and fallen in love
with grandchildren and with Charlie Rose
on late night TV in the bed that fit
better with you.
Now that you're on the other side, do you
still have a passion for questions
without answers? I pray no repose
of the soul for you, captured in a plot
of earth. Rather, I wish you startling
skies, planets aligning, and now and then
a paraboloid homing between us.
Signals in Space
Doors have closed, but windows,
cracked by the cold, have opened to sun
since the cold spring years ago
when you drifted to the sea.
I've tried vision quests, Monk's jazz
and Billie Holiday. I've met new men
and old monastics and fallen in love
with grandchildren and with Charlie Rose
on late night TV in the bed that fit
better with you.
Now that you're on the other side, do you
still have a passion for questions
without answers? I pray no repose
of the soul for you, captured in a plot
of earth. Rather, I wish you startling
skies, planets aligning, and now and then
a paraboloid homing between us.
Wednesday, November 13, 2013
Gotta Room?
My, but SLOTowners are a civilized bunch. At least the 100 or so who showed up last
night at the City Council chambers were; well-spoken, smart, witty and
courteous, even on an issue as controversial as the recent "home stay"
controversy.
SLOTown has an ordinance that forbids "vacation
rentals," any home rented less than 30 consecutive days. The ordinance is in place to keep homes from
being bought up by speculators and turned into short-term Animal-Houses Isla
Vista Summer Party Houses. Forty percent
of SLOTown's homes are long-term rentals -- in large measure Cal
Poly students, but also many adult "workers" who also rent. The
rental percent is a high enough number to keep neighborhoods in churn and
homeowners unsettled and in fear that any change in the rules could send their
neighborhoods into one long frat-house decline.
Which accounted for two groups to show up for a
showdown. The larger a group called
itself SLO Host and were private homeowners who, for years, have been quietly
renting out a room or two in their house for tourists. (Or, in many cases, offering their extra
bedrooms for visiting musicians coming to the community as part of the Festival
Mosaic and other cultural events.) This
practice really took off with the internet and companies such as Airbnb. Tourists could now easily book a room in
somebody's home and likely save a bit over a higher end hotel, but also have
the experience of staying with a host family.
Since this was all under the radar, unlike hotels/motels, the Home
Stayers paid no Transient Occupancy Taxes.
And, as the economy
tanked, many more people found themselves needing the extra cash that came with
"home stays." This was also all part of what's being considered "the new economy," the
"sharing generation," the younger, internet-connected generation
realizing that you don't necessarily need to "own" stuff; you can
share/loan/rent and often end up with a far more interesting experience (and
dollars in your pocket.) All part of
what's being called a Peer to Peer business model.
So lots of people throughout the town quietly welcomed
travelers in violation of the vacation rental ordinances but with no
discernable problems being reported until somebody complained. Nine someones,
to be exact. Well, more like 4 non-specific complaints about the whole "home
stay" idea in general, and 5 actual complaints with a specific address
listed. Among the complaints listed were
the usual ones about parking, noise and this deliciously odd complaint -- the apparently unsettling "
problem" to one complainer of "strangers wandering the
neighborhood." This brought a few
snickers since anyone using the public sidewalks, taking a stroll, walking the
dog, visiting a friend, has the potential to be a "stranger wandering the
neighborhood."
On the "complainers" side of the issue, was a
group of homeowners who are the "Residents for Quality Neighborhoods
(RQN), a watchdog group mainly concerned with keeping neighborhoods for
homeowners as part of an effort to keep those neighborhoods safe and stable,
thereby protecting their homes and their property values. The RQNs listed a series of sliding slope concerns,
from "strangers wandering," to Frat Boy Animal House Isla Vista
Summer Party Blowout disintegration of neighborhoods, drunken, loud foreigners
wandering around at all hours, making noise, scaring the dogs, and other ills
that can slowly grow from ordinance changes that aren't regulated carefully and
can creep up on a neighborhood while nobody's looking.
In short, the room was filled with good arguments on all
sides and filled to the brim with context, subtext and nuance and often
unconscious reactions to our disturbed and disturbing zeitgeist: There's ongoing Town and Gown issues, a long simmering battle
in SLOTown with a growing Cal Poly enrollment turning into the real elephant in
the room. And class divisions,
"Haves" having the luxury of large homes that can be quietly rented
out, while regular working people can't afford to even get into SLOTown's housing
market. (Or, conversely the irony of former "Haves" financially
needing to become inn keepers and housemaids in their own homes, servants
waiting on paying customers from . . . eeeuuuu, France!)
Fear of
a permanently altered economy that's changing all the rules, turning
"The Happiest Place on Earth" into a tourist playground for the rich,
all others need not apply. All forming
around a changing demographic and generational mind-set that's new and
unsettling and can't help to ramp up unspoken and often unrealistic anxieties.
Despite that potentially explosive stew, all the SLOTowners
kept their admirable cool and the City Council moved quickly. The general consensus was a kind of "If It Ain't Broke, Don't Fix It"
combined with, "Let's refine this ordinance carefully to allow this new
business, watch it carefully (get some nice tax money), use our traditional
nuisance ordinances if there's any problems, but keep the door firmly shut on a
far bigger elephant -- 'vacation rentals.' Then see how it goes."
So, if you're a SLOTowner with rooms to rent to travelers,
you're good to go. The fine print will
be crafted and clarified. If you live
elsewhere and want to do the same, you'll have to check our local ordinances
and go visit your city councils or the BOS. Who knows, if this type of business works out
well for everyone, it might go countywide.
It's a brave new world, a connected world, and The Happiest
Place On Earth, whose economy is heavily dependent on the tourist dollar, needs
to get with it. So, stock the guest
soaps and towels and little chocolates for the pillow and we'll soon become The
Happy Inkeeper to the World.
Bring 'em on!
Labels:
Airbnb,
home stay,
RQN,
SLO City Council,
SLO Host,
vacation rentals
Sunday, November 10, 2013
Your Sunday Poem
This by Mary Oliver from her lovely, lovely 2012 collection, "A Thousand Mornings," (Penguin, 2012) available in paperback, so get down to your local bookstore. Christmas is coming and your friends deserve a nice book of poems for the new year and this one's a gem.
Lines Written in the Days of Growing Darkness
Every year we have been
witness to it: how the
world descends
into a rich mash, in order that it may resume.
And therefore
who would cry out
to the petals on the ground
to stay,
knowing as we must,
how the vivacity of what was is married
to the vitality of what will be?
I don't say
it's easy, but
what else will do
if the love one claims to have for the world
be true?
So let us go on, cheerfully enough,
this and every crisping day,
though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.
Lines Written in the Days of Growing Darkness
Every year we have been
witness to it: how the
world descends
into a rich mash, in order that it may resume.
And therefore
who would cry out
to the petals on the ground
to stay,
knowing as we must,
how the vivacity of what was is married
to the vitality of what will be?
I don't say
it's easy, but
what else will do
if the love one claims to have for the world
be true?
So let us go on, cheerfully enough,
this and every crisping day,
though the sun be swinging east,
and the ponds be cold and black,
and the sweets of the year be doomed.
Labels:
A Thousand Mornings,
Mary Oliver
Saturday, November 09, 2013
Movie Time
Robert Redford's new one-man movie, "All is Lost," is an extraordinary tour de force. There's a few words spoken by Redford reading from a letter at the beginning of the film and a one-word cri de coeur near the end. The rest of the film is the sound of the sea, of water, of sounds made by a man on a deadly race against time and tide to survive against increasingly impossible odds.
Redford gives a powerful performance, the portrait of a self-sufficient, immensely competent man who methodically faces down each obstacle that arrives, stubbornly refusing to give in to despair or failure or panic, bulldogging to the end with the quiet problem-solving determination of a test pilot in a broken jet hurtling to earth -- no panic, total focus, try this, try that, -- until, in the words of Tom Wolfe, the plane "augers in."
The cinematography is spectacular, especially its use of scale (the small boat, the immensity of the sea) to illustrate the fragility of life and the utter indifference of nature. Or the use of scale as subtext. In one scene, Redford's in the lifeboat and desperately trying to head into the shipping lanes in hopes of attracting attention from any passing ships. Eventually, a cargo container ship comes his way but it is so immense, so towering, so closed off from it's surroundings so as to be a self contained universe all its own -- a behemoth too gigantic to notice a tiny life raft and a small desperate human.
That scene also recalls to mind that it was a floating container filled with tennis shoes, likely fallen off a similar cargo ship, a huge hunk of indifferent flotsam that put our sailor in peril in the first place by bumping into his boat and puncturing the hull: An indifferent, random, pointless, encounter in the middle of nowhere.
"All is Lost," is a riveting film; tense, exciting, scary, unsettling, beautiful, awesome, despairing, heartbreaking, exhausting, and triumphant. Unforgettable. Don't miss it.
Redford gives a powerful performance, the portrait of a self-sufficient, immensely competent man who methodically faces down each obstacle that arrives, stubbornly refusing to give in to despair or failure or panic, bulldogging to the end with the quiet problem-solving determination of a test pilot in a broken jet hurtling to earth -- no panic, total focus, try this, try that, -- until, in the words of Tom Wolfe, the plane "augers in."
The cinematography is spectacular, especially its use of scale (the small boat, the immensity of the sea) to illustrate the fragility of life and the utter indifference of nature. Or the use of scale as subtext. In one scene, Redford's in the lifeboat and desperately trying to head into the shipping lanes in hopes of attracting attention from any passing ships. Eventually, a cargo container ship comes his way but it is so immense, so towering, so closed off from it's surroundings so as to be a self contained universe all its own -- a behemoth too gigantic to notice a tiny life raft and a small desperate human.
That scene also recalls to mind that it was a floating container filled with tennis shoes, likely fallen off a similar cargo ship, a huge hunk of indifferent flotsam that put our sailor in peril in the first place by bumping into his boat and puncturing the hull: An indifferent, random, pointless, encounter in the middle of nowhere.
"All is Lost," is a riveting film; tense, exciting, scary, unsettling, beautiful, awesome, despairing, heartbreaking, exhausting, and triumphant. Unforgettable. Don't miss it.
Labels:
All is Lost,
Robert Redford
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